Gallery Of Prints Pulled From Takach Presses
Lithography |
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"Neptune Washington" by Ron Adams Lithograph printed on a Takach Litho Press Hand Graphics, Santa Fe, New Mexico |
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"History Lesson" 15" x 20" by
Lynne Allen Lithograph, linoleum cut, and chine collé printed on a Takach 3460 Litho Press St. Cloud State University during the Mid-America Print Council Conference |
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"Premature Phoenix" 22" x 30" by Aaron Bass Lithograph and Chine Cholle |
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"Road Runner" 11" x 17" by Aaron Bass Multiple Plate Lithograph |
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"Ships Passing..." 12.625" x 16" Alfredo de Batuc 2-Color Lithograph printed on a Takach model 4072 Litho Press by Ed Hamilton at Hamilton Press in Venice, CA |
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"6#1"
11" x 15" by
Daniel Britton, Professor School of Art, Arizona State University Lithograph, edition of 25, printed on a Takach 3460 Model Litho Press |
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“Rene and Jack” 38” x 26” by
Roy DeForest 9-color Lithograph printed by Bill Lagattuta on a Takach Model 4084 Litho Press at Tamarind Institute, Albuquerque, NM |
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"Family Group: N-12/26/43" 41" x 31" by
Robert Glasgow, Associate Professor Printmaking Lithograph, intaglio, and relief with hand coloring printed on a Takach 3460 Litho Press, a 4896 Etching Press and a 3460 Etching Floor Model Press School of Art and Art History Univerisity of Iowa |
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"Mondrianís Girlfriend" 15" x 18" by
Don Ed Hardy Lithograph, litho engraving, and chine collé printed on a Takach model 4484 Litho Press by Bud Shark at Shark's Ink, Lyons, CO |
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"Surf or Die" 22" x 29.75" by Don Ed Hardy Color Lithograph with metallic gold powder, printed on a Takach Model 4484 Litho Press by Bud Shark at Shark’s Ink, Lyons, CO |
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"Neuf for Modocî" 22" x 30" by
Edgar Heap of Birds 18-color lithograph printed on a Takach 3460 Floor Model Litho Press at Crow's Shadow Press, Pendleton, Oregon. Collaborating printer: Frank Janzen, TMP |
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“SM0301” 18” x 24” by
Jon Lee, Assistant Professor Department of Art & Art History, Trinity University, San Antonio, TX Lithograph printed on a Takach Model 4072 Litho Press |
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"Tides-Out" by Jim Pasakos Lithograph printed on a Takach 3460 Litho Press at Lancaster Press, Melbourne, Australia |
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“Dots” 22” x 25” by Jeanette Pasin Sloan Lithograph printed on a Takach Model 4896 Vari-Speed Litho Press by Jack Lemon at Landfall Press, Santa Fe, NM |
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“Eye Candy” 22.5” x 30” by Jaune Quick-to-See-Smith
7-color Lithograph, printed on a Takach Model 4084 Litho Press by Aaron Shipps & Brooke Steiger at Tamarind Institute, Albuquerque, NM |
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"Departing Spirit" by Roy Tomlinson Lithograph printed on a Takach 3460 Litho Press B.C. Canada |
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"Charlie Two Eagles Exercising Affirmative Action" 2008. 30" x 22" by Neal Ambrose Smith lithograph and monotype with Akua ink Printed on a Takach 3460 litho press at Tamarind Institute, and a Takach 4072 etching press with Keith Howard's Synchronized Pressure and Rotational Blanket System in Albuquerque, New Mexico. |
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Etching |
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"Getting Over" by Bill Baron Etching Printed on a Takach Etching Press Ranchos de Taos, New Mexico | |
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"Ranchos Church with Sunflowers" by Bill Baron, Etching Printed on a Takach Etching Press Ranchos de Taos, New Mexico |
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"Seated Nude" by Bill Baron, Etching Printed on a Takach Etching Press Ranchos de Taos, New Mexico |
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Monotype |
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"Grampa's Truck" by Teresa Castaneda ("Crinkleism") Monotype Printed on a Takach 2448 Etching Press Denver, Colorado |
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"War Bird" by Daniel Britton Monotype printed on a Takach Tabletop Etching Press Tempe, Arizona |
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“SC Mist I” 36” x 18” Michael Costello Color Monotype printed on a Takach Floor Model Combination Press at Hand Graphics, Santa Fe, NM |
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"Extollers" by Terry Davitt Powell Waterbased Monotype printed on a Takach 2448 Tabletop Etching Press Redlands, California |
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"Badger Creek" by Jaune Quick-to-See Smith Monotype printed on a Takach 2436 Tabletop Etching Press Albuquerque, New Mexico |
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"Light Speed" 2008. 30"x40" by Neal Ambrose Smith graphite, monotype and color xerox transfer with citra solv. Printed on dry paper with Akua ink. Printed on a Takach 4072 Etching Press with Keith Howard's Synchronized Pressure and Rotational Blanket System in Albuquerque, New Mexico. |
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"Map Of The Universe" 2008. 30" x 40" by Neal Ambrose Smith graphite, monotype. and color xerox transfer with citra solv. Printed on dry paper with Akua ink. Printed on aTakach 4072 Etching Press with Keith Howard's Synchronized Pressure and Rotational Blanket System in Albuquerque, New Mexico. |
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"Sailor" 2008. 22" x 30" by Neal Ambrose Smith graphite, monotype. and color xerox transfer with citra solv. Printed on dry paper with Akua ink. Printed on a Takach 4072 Etching Press with Keith Howard's Synchronized Pressure and Rotational Blanket System in Albuquerque, New Mexico. |
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Intaglio-Type |
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"Sam Small Feathers and his cape at The Fancy Shawl" 2008. 40" x 30" by Neal Ambrose Smith Inverse intaglio-type, and monotype printed on dry arches 88 with Akua ink. Printed on A Takach 4072 Etching Press with Keith Howard's Synchronized Pressure and Rotational Blanket System in Albuquerque, New Mexico. |
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"From Ustream I caught Fish" 2008. 30" x 22" by Neal Ambrose Smith Inverse intaglio-type and color xerox transfer with citra solv. Printed on dry paper with Akua ink. Printed on a Takach 4072 Etching Press with Keith Howard's Synchronized Pressure and Rotational Blanket System in Albuquerque, New Mexico. |
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"Singing The Roof Off" 2008. 30" x 40" by Neal Ambrose Smith graphite, monotype, giclée, and color xerox transfer with citra solv. Printed on dry paper with Akua ink. Printed on a Takach 4072 Etching Press with Keith Howard's Synchronized Pressure and Rotational Blanket System in Albuquerque, New Mexico. |
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Photopolymer |
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"Academia" 7" x 11" by Aaron Bass Photopolymer Solar Plate Transparency was drawn whith a Stabillo Pencil on Matte Polyester Film |
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"The Delivery" by Aaron Bass Photopolymer Plate with airbrushed color Transparency was drawn whith a Stabillo Pencil on Matte Polyester Film |
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"The Stork" 11 1/2" x 16 1/2" by Aaron Bass KM Photopolymer Plate |
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"Fractal Series #20" 18" x 18" by
Jennifer Lynch Solar Plate viscosity intaglio printed on a Takach 4072 Floor Model Etching Press at Lynch Press, Ranchos De Taos, NM |
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“Saturation” 23.5” x 30” by Art Werger Color Intaglio printed by Gary Day, UNO Print Workshop, University of Nebraska, Omaha |
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Relief |
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“New Commandment Wisdom” 22” x 30” by Karla Hackenmiller
Relief Intaglio printed by Gary Day, UNO Print Workshop, University of Nebraska, Omaha |
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"Untitled" 42" x 81" by
Scott Stephens, Professor of Art, University of Montevallo, AL Sintra cut, relief and intaglio printed on a Takach 4484 Etching Press |
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"Holzchnitt" by R.B. Wainwright Woodcut acrylic/cellulose compound & electric engraver Printed on a Takach Etching Press Sechett, B.C. Canada |
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